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‘On Precedent in Architecture’,  ANTA: Archives of New Traditional Architecture, Spring 2023.

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‘Models of interpreting visual culture’, Bryn Mawr Classical Review, 2016.01.17.

‘Wunder der Baukunst – neu erfasst’ (with Georg Herdt), Antike Welt, 2010 – 1: 78-83.

‘Scanning ancient building components’ (with Georg Herdt), Photogrammetrie Fernerkundung Geoinformation 4 (2008): 245-251. 

‘Methodology and the Doric Temple’, Nexus. Architecture and Mathematics 6 (2006), 1-20.

‘Triglyphs, Tripods, and the Origin of the Doric order’, American Journal of Archaeology 106 (2002), 353-390.

'Doric measure and Doric design, 2: A Modular Re-reading of the Classical Temple, American Journal of Archaeology 105 (2001), 675-713.

'Genesis and Mimesis. The Design of the Arch of Constantine in Rome’, Journal of the Society of Architectural Historians 59 (2000), 50-71.

'Doric measure and Doric design, 1: The evidence of the relief from Salamis, American Journal of Archaeology 104 (2000), 73-93.

'An exercise in Hadrianic geometry: the design of the Annexe of the "Temple of Venus" at Baia' (with David Jacobson), Journal of Roman Archaeology 12 (1999), 57-71. 

'L'arco di Costantino: un'analisi delle proporzioni', Archeologia Laziale 12, 1995, 58-61.

'Designing amphitheatres', Römische Mitteilungen 100, 1993, 391-441. 

'One hundred feet and a spiral stair: the problem of designing Trajan's Column', Journal of Roman Archaeology 6, 1993, 23-38.

'Designing the Roman Corinthian capital', Papers of the British School at Rome, 59 1991, 89-150.

'The Tempietto and the roots of coincidence', Architectural History 33, 1990, 1-28.

'Principles of design in Roman architecture: the setting out of centralised buildings', Papers of the British School at Rome 57, 1989, 106-151.

'Designing the Roman Corinthian order', Journal of Roman Archaeology 2, 1989, 35-69.

'Palazzo Massimo and Baldassare Peruzzi's approach to architectural design', Architectural History 31, 1988, 59-85.

'The Pantheon: a triumph of Rome or a triumph of compromise?' (with Paul Davies & David Hemsoll), Art History 10, 1987, 133-153.

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