ARTICLES
‘On Precedent in Architecture’, ANTA: Archives of New Traditional Architecture, Spring 2023.
‘Models of interpreting visual culture’, Bryn Mawr Classical Review, 2016.01.17.
‘Wunder der Baukunst – neu erfasst’ (with Georg Herdt), Antike Welt, 2010 – 1: 78-83.
‘Scanning ancient building components’ (with Georg Herdt), Photogrammetrie Fernerkundung Geoinformation 4 (2008): 245-251.
‘Methodology and the Doric Temple’, Nexus. Architecture and Mathematics 6 (2006), 1-20.
‘Triglyphs, Tripods, and the Origin of the Doric order’, American Journal of Archaeology 106 (2002), 353-390.
'Doric measure and Doric design, 2: A Modular Re-reading of the Classical Temple, American Journal of Archaeology 105 (2001), 675-713.
'Genesis and Mimesis. The Design of the Arch of Constantine in Rome’, Journal of the Society of Architectural Historians 59 (2000), 50-71.
'Doric measure and Doric design, 1: The evidence of the relief from Salamis, American Journal of Archaeology 104 (2000), 73-93.
'An exercise in Hadrianic geometry: the design of the Annexe of the "Temple of Venus" at Baia' (with David Jacobson), Journal of Roman Archaeology 12 (1999), 57-71.
'L'arco di Costantino: un'analisi delle proporzioni', Archeologia Laziale 12, 1995, 58-61.
'Designing amphitheatres', Römische Mitteilungen 100, 1993, 391-441.
'One hundred feet and a spiral stair: the problem of designing Trajan's Column', Journal of Roman Archaeology 6, 1993, 23-38.
'Designing the Roman Corinthian capital', Papers of the British School at Rome, 59 1991, 89-150.
'The Tempietto and the roots of coincidence', Architectural History 33, 1990, 1-28.
'Principles of design in Roman architecture: the setting out of centralised buildings', Papers of the British School at Rome 57, 1989, 106-151.
'Designing the Roman Corinthian order', Journal of Roman Archaeology 2, 1989, 35-69.
'Palazzo Massimo and Baldassare Peruzzi's approach to architectural design', Architectural History 31, 1988, 59-85.
'The Pantheon: a triumph of Rome or a triumph of compromise?' (with Paul Davies & David Hemsoll), Art History 10, 1987, 133-153.